Apple: I want a buttonless Apple Watch 2.0

There’s been speculation online for a while that Apple will soon roll-out a second generation design of the Apple Watch. People have mentioned that they want better battery life, a slimmer profile design, less dependency on the iPhone – all of which I agree with and hope for as well. But, from my perspective, the best thing Apple can do for the second generation Apple Watch is to remove all buttons…

I know…crazy, right? Hear me out.

I’ve had the Apple Watch for about a week-and-a-half. I was a late bloomer, initially holding off because it seemed like an unnecessary expense. I have been a Fitbit user for several years, having recently purchased a Charge band which I generally liked.

The main gap in my workflow was that while the Fitbit does a good job of tracking activity, and you can set alarms, it doesn’t provide the sort of on-the-go reminders that I really wanted to have within arms reach [anyone else who has ADD tendencies will relate].

photo of Apple Watch on someone's wristSo, I took the dive and got myself a sports model (taking advantage of Apple’s recent price drop). I must say, in general that I’m really liking it, and so far it is helping to fill that gap – providing me with the reminders I need on my wrist through its Taptic Engine.

Based on suggestions out in the World Wide Web, I’ve taken to wearing it upside down; the digital crown is just simply easier to access and push on a regular basis with my thumb, and being right-handed having it on the inside of my wrist makes it easier (this is perhaps the epitome of geekdom – that even the most minute adjustment or detail which cuts fractions of a second off of a task is somehow attractive).

But, the more I use it, the more I keep wondering: are the buttons necessary? The watch has a wonderful display with Force Touch.

The Digital Crown’s capability could be, near as I can tell, totally replaced by simply using a long press to turn the watch on (for people like me that do not use the “wake on raise” feature in order to save battery life; note, this is already a function), a single tap to go to the Home Screen, and double tap for moving back-and-forth between home screen and most recent app. And, of course one can already scroll through content using your finger on the display, so the another aspect of the Crown’s functionality is, essentially, superfluous.

The Side Button, could be completely eliminated; it’s only primary function is for Contacts which, as far as I’m concerned could be relegated to a right swipe from the main watch face. The only additional functionality is a double-press to invoke Apple Pay, which again could be replaced by swiping left from the watch face.

I’m not an expert on small electronics, but I’d wager eliminating the Side Button and Digital Crown would be a major stride toward making the casing much thinner overall.

But, the biggest benefit is that in Apple’s continued mission to remove barriers between user and content, it would turn the watch into completely touch-based device; and, as we have seen with previous design and interface evolution across Apple products, lessons learned from one device can be applied to another.

I’m looking at you, iPhone.

Super Tuesday

[with apologies to them Stones that Roll]

No one really knows where they came from
And human rights don’t matter once their gone
And Constitutional rights
Despite historical fights, despotism grows
It ebbs and flows

Here comes Super Tuesday
Who could our nom-a-nee be?
Chip away at our rights and new ways
Still we will endorse you

Don’t question what it means to be so free
They’ll tell you there is only one way to be
And Justice will be chained
To protecting Capital Gains and business costs
Equality’s lost

[chorus]

There’s no time to lose, the People say
Protect your rights before they slip away
And lying all the time
They’ll trade your vote for those that have more bucks
Don’t politics suck?

[chorus, repeat]

Moments

still image from "In the Heat of the Night"

In celebration of the Oscars this weekend, an approximate “Top Ten list” of my favorite movie moments; it should be noted, we’re not talking favorite films necessarily – although some on my Top Ten list are represented here – rather those singular moments. In some cases the moments are scenes, in others just a single shot.
[Note: when I originally wrote this post, I had links to almost every item listed here; apparently most of these have been taken down (damn copyright laws); I’ve tried to find suitable replacements, but I presume many of these will eventually be taken down; your mileage (and bandwidth) may vary…]

1) In the Heat of the Night
Sidney Pontier, Larry Gates, Rod Steiger – “the slap”; powerful for its time, and probably one of the first instances of a person of color showing strength, resolve, and dignity that I can recall seeing in popular culture. Directed by Norman Jewison.

2) Big Night
Stanley Tucci, Tony Shaloub, Marc Anthony – the final kitchen scene, all one take; I wish more American films would embrace the power of simply rolling camera and pointing it at a group of actors so immersed in their characters that we will sit spellbound watching them eat breakfast (understanding that there is subtext – a reconciliation happening just below the surface). Directed by Campbell Scott.

3) The Verdict

Paul Newman, the summation (“today you are the law”); written by David Mamet. Directed by Sidney Lumet.

(not great quality, but full speech; if you want to see HD, follow this, but it truncates the first chunk of the speech: https://youtu.be/qjYP7J3oP9Q)

4) Network
William Holden and Faye Dunaway – when Diana breaks up with Max (“why is it that a woman always thinks that the most savage thing she can say to a man is to impugn his cocksmanship?”) written by Paddy Chayefsky; Directed by Sidney Lumet.

5) tie: 2001 A Space Odyssey
ape to space transition and blue danube sequence:

& Bowman re-entering the Discovery sequence; Directed by Stanley Kubrick

https://youtube.com/watch?v=t2jibvQfTK0

6) Local Hero
Peter Riegert walking over the hill carrying his shoes, then cut to his watch being over-taken by the waves on the rock where he left it with the alarm going off… 

http://www.youtube.com/watch?v=e96Uv7P8Sq0&feature=related [taken offline?!!]

as a back-up: the final scenes – Riegert saying goodbye to folks in the village and his return to “normalcy”; note the great sound design here – not just Mark Knopfler’s great soundtrack, but the sound designers’ subtle use of environmental sound that counter-points Riegert’s return to big American city life…

7) 13 Conversations About One Thing
Alan Arkin and Matthew McConaughey in the bar, “show me a happy man” (ok, basically Alan Arkin’s whole performance); Directed by Jill Sprecher

8) Raiders of the Lost Ark
the opening sequence (and yes the whole film still stands as my favorite action-adventure film of all time); directed by Steven Spielberg

10) RAN
the final shot, where a blind Kyoami walks along the cliff, near to the edge, and his stick drops off, allowing him to catch his balance just before doom and then he turns around and continues on his way (this image captures the whole movie we’ve just watched into a single moment: the human race comes close to its own destruction, but somehow manages to recover and avoid complete annihilation); Directed by Akira Kurosawa

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