Ten West Wing Episodes to help us Weather the tRump Storm

There’s lots of advise floating around these days about how those of us in the “popular vote” portion of the nation might weather the storm of the next few years, support each other, get involved, etc. Since I can think of no better source for inspiration and contemplation on all matters political than “The West Wing”, here is a selection of episodes to help ease the pain, grease the wheels, or (re-)light the fire under ‘whatever it is you need lit’ in order to not let this travesty of democracy be, well, the end of Democracy.

A note: while The West Wing is a fine show through and through, I’ve always considered the first four seasons – the episodes that were principally written by Aaron Sorkin and over-seen by Thomas Schlamme – to be the definitive story arc of the show, so I’ve limited my scope to just those seasons.

The Pilot (S1 E1)
If for some reason you’ve never watched The West Wing (for shame!) you might as well start at the beginning. Like any series, the pilot is a bit rough – a broad sketch of what the show would eventually become (though, Sorkin is no slouch; even at this early stage, his pilot script is dense, tight, and smarter than most of anything else on television). Besides a good intro, this episode is worth watching for its take on some of the tactics used by those who power broker for the religious right.

The Crackpots and These Women (S1 E5)
How can you not like “Big Block Of Cheese Day”? A funny episode, but at its core a refreshing reminder that governing is also about access for all. Also, “I can’t get over these women”…

The Short List (S1 E9)
No, we won’t be seeing a Supreme Court nomination process like this anytime soon, so at least we can enjoy this dramatic depiction in which the topics of race, class, and privacy get some much needed air time.

The Midterms (S2 E3)
Let this serve as a warning for us all; we have two years, people…

Isaac and Ishmael (S3 E1)
First of all, this is an amazing episode, especially when you consider that Sorkin got NBC to forgo their scheduled season opener, and in the wake of 9/11, in twelve days, wrote, shot, edited, and aired this episode in its place. Second, in these days of terrorism frenzy, how about a little levity and analysis?

The U.S. Poet Laureate (S3, E16)
How ironic that tRump wastes so much time attacking the Press; here’s some lessons in how you can actually work them, if you’re smart enough. Also, Laura Dern!

20 Hours in America (S4, E1&2)
In this extended episode that opens season four, Toby, Josh, and Donna are marooned in the midwest when they miss the motorcade while campaigning for Bartlet’s re-election. The examination of farmland realities vs. the politics of D.C. could have been (should have been?) a primer on election 2016; but pay special attention to the way Toby and Josh banter about President Bartlet’s opponent – it echoes eerily the tone of the tRump campaign.

The Red Mass (S4, E4)
Josh sends Donna to a seminar held by one of their opponent’s advisors; there’s a scene in there about “fortune cookie candidacy” and who/how the President receives advice and makes decisions that gives me chills in our current context.

25 (S4, E23)
Spoiler alert: John Goodman’s performance (as always) is enjoyable, and the contrast of his character and Bartlet seems eerily evocative of what it feels like to have an intelligent, left-leaning leader replaced with a “straight-shootin’ right-wing one. Also, the more we all can learn about the 25th Amendment at this point, the better:

BONUS: Bartlet for America (S3, E10)
This may or may not belong on this list, but it’s simply the best episode of the best T.V. show ever. To watch any West Wing and not watch this episode seems a sin…

Moments

still image from "In the Heat of the Night"

In celebration of the Oscars this weekend, an approximate “Top Ten list” of my favorite movie moments; it should be noted, we’re not talking favorite films necessarily – although some on my Top Ten list are represented here – rather those singular moments. In some cases the moments are scenes, in others just a single shot.
[Note: when I originally wrote this post, I had links to almost every item listed here; apparently most of these have been taken down (damn copyright laws); I’ve tried to find suitable replacements, but I presume many of these will eventually be taken down; your mileage (and bandwidth) may vary…]

1) In the Heat of the Night
Sidney Pontier, Larry Gates, Rod Steiger – “the slap”; powerful for its time, and probably one of the first instances of a person of color showing strength, resolve, and dignity that I can recall seeing in popular culture. Directed by Norman Jewison.

2) Big Night
Stanley Tucci, Tony Shaloub, Marc Anthony – the final kitchen scene, all one take; I wish more American films would embrace the power of simply rolling camera and pointing it at a group of actors so immersed in their characters that we will sit spellbound watching them eat breakfast (understanding that there is subtext – a reconciliation happening just below the surface). Directed by Campbell Scott.

3) The Verdict

Paul Newman, the summation (“today you are the law”); written by David Mamet. Directed by Sidney Lumet.

(not great quality, but full speech; if you want to see HD, follow this, but it truncates the first chunk of the speech: https://youtu.be/qjYP7J3oP9Q)

4) Network
William Holden and Faye Dunaway – when Diana breaks up with Max (“why is it that a woman always thinks that the most savage thing she can say to a man is to impugn his cocksmanship?”) written by Paddy Chayefsky; Directed by Sidney Lumet.

5) tie: 2001 A Space Odyssey
ape to space transition and blue danube sequence:

& Bowman re-entering the Discovery sequence; Directed by Stanley Kubrick

6) Local Hero
Peter Riegert walking over the hill carrying his shoes, then cut to his watch being over-taken by the waves on the rock where he left it with the alarm going off… 

http://www.youtube.com/watch?v=e96Uv7P8Sq0&feature=related [taken offline?!!]

as a back-up: the final scenes – Riegert saying goodbye to folks in the village and his return to “normalcy”; note the great sound design here – not just Mark Knopfler’s great soundtrack, but the sound designers’ subtle use of environmental sound that counter-points Riegert’s return to big American city life…

7) 13 Conversations About One Thing
Alan Arkin and Matthew McConaughey in the bar, “show me a happy man” (ok, basically Alan Arkin’s whole performance); Directed by Jill Sprecher

8) Raiders of the Lost Ark
the opening sequence (and yes the whole film still stands as my favorite action-adventure film of all time); directed by Steven Spielberg

10) RAN
the final shot, where a blind Kyoami walks along the cliff, near to the edge, and his stick drops off, allowing him to catch his balance just before doom and then he turns around and continues on his way (this image captures the whole movie we’ve just watched into a single moment: the human race comes close to its own destruction, but somehow manages to recover and avoid complete annihilation); Directed by Akira Kurosawa

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